Dispatches from the Road, Pt. 3
Sacred and profane: a "photo-essay" on facades, signs, and steeples
One must fasten one’s gaze.
— Karl Ove Knausgaard
Want to go next door with me?
And look at his main breaker?
And see if we can get one for his generator?
Waking up at ten
With misting drizzle noiseless
On tin garage roof.
Forced to define the mind,
The neurosurgeon indicated
Consciousness,
Unconsciousness,
And pure, unbounded consciousness
With her scapula.
Lawn chair beneath front step awning,
Mind blank in the dawning:
A new day in east LA.
They chipped away at him
Until panic set in:
He had to buy Bitcoin.
Rainy pickup basketball —
Hot showers, pork rinds, and ginger —
Silence is the natural state.
So too Brother Jack,
Both weak and strong,
All holy, wild digging
And sublimated brawn.
Wet railing on an interstate overpass:
Mind washed clean,
Ultralight beam.
Best not talk about it very much —
Chance of rain on the pass,
But stay in touch.
“Are there even any subtleties worth noting?”
He proclaimed from the throne of his complacency,
Too long stopped at a waypoint.
When you’re lost in the rain in Juarez, when it’s Easter time, too
And your gravity fails and negativity don't pull you through
Don't put on any airs when you’re down on Rue Morgue Avenue…
I especially enjoyed the format with all the pictures :)
The picture of the giant picnic basquet from Newark, Ohio is fantastically whimsical. This photo essay reminded me of a movie that portrays a traveling photographer: The Bridges of Madison County (1995), which is set in Iowa:
https://moviewise.wordpress.com/2013/10/17/the-bridges-of-madison-county/